
The Man Who Knew Too Much is in colour and ironically is described as a photoplay, is typically 50's in style and dress, the colour is vibrant and oversaturated, suits me fine; that said i prefer the dark madness of Bruno in Strangers on a Train, i also feel that i can do more location shoot wise with this film and the opportunity is there to be mysterious and sinister. I have already visited a couple of locations and have an idea of what i could do in these places...I also have ideas for a studio set that i feel are better than any thoughts that i have had for The man who knew too much.